【聲音的美學：淺談當代歐洲音樂現況】
主講人: Franz Martin Olbrisch
日期:2018年12月03日(一)
時間:13:30~15:10
地點:北藝大音樂一館M218
※北藝大作曲組必到
※歡迎有興趣者前往聆聽
Compositions (selection)
Publications
Franz Martin Olbrisch was born in Mülheim/Ruhr (Germany) in 1952. He received his musical
education at the Universität der Künste Berlin between 1979 and 1986. He has
been the recipient of various prizes for example, in 1981 the Composition Prize
by the city of Stuttgart, in 1984 the Boris Blacher Prize by the Karl Hofer
Society Berlin, in 1990 the Carl Maria von Weber Prize by the city of Dresden.
He also received in 1985, 1988, 1991, 1994 and 1997 various work scholarships
awarded by the State of Berlin. Further scholarships which, for example, in
1986 took him to Italy, in 1992/93 to the ZKM in Karlsruhe, in 1998 to the
Heinrich Strobel Foundation in Freiburg, in 2001 to the Paul Sacher Foundation
in Basel, in 2003 to the Ville Aurora in Los Angeles and in 2006 to the Cité internationale
des arts in Paris for several month.
Between
1986 and 1996 he was lecturer in music theory at the Church music school in
Berlin and between 1988 and 2008 lecturer in composition and studio technique
at the Universität der Künste Berlin and the Technical University in Berlin. In
1994, 2004, 2006, 2010 and 2014, he was instructor of composition at the
International Summer Courses in Darmstadt. Since 2008 he is professor of
composition and electronic music at
the University of Music Carl Maria von Weber in Dresden, since 2011
Vice-President of the GNM (German Section of the International Society for
Contemporary Music), since 2013 a member of the Saxon Academy of Arts and since 2015 Vice-President of the Saxon
Academy of Arts.
His
works have been performed at international festivals such as the World New
Music Days in Yokohama in 2001, Stuttgart in 2006 and Beijing in 2018, the
Donaueschingen Music Festival in 1993 and 2008, the Witten Days for new Chamber
Music in 1992, 1999, 2008 and 2015, the Darmstadt International Summer Courses
in 1990, 1992, 1994, 2004, 2006, 2010 and 2014, the Festival ECLAT
Stuttgart in 1999, the Festival international des musiques experimentales in
Bourges in 1982 and 1998, the International Computer Music Conference (ICMC) in
2000, the VIPER Festival in Basel in 2006, the EXPO2000 in Hannover, the Music
Biennale Berlin in 2001, the Festival Inventionen Berlin in 1992, 1996, 1998
and 2002, the Festival Ultraschall Berlin in 2003, the York Spring Music
Festival in 2012, the International Music Theater Gathering Freiburg in 1989,
the Dresden Days of Contemporary Music in 1996, Festival ByPass Toulouse in
2015, the Nasz Festival Wroclaw in 2017 and so on.
His
scenic and media works have been shown in places like the New National Gallery
and the Bauhaus Archive Berlin, the Art Gallery Darmstadt, the Märkische Museum
Witten, the Zuse Computer Museum Hoyerswerda, the Gold Hall of the Hessian
Broadcasting Corporation, the Musiktheater im Revier Gelsenkirchen etc.
Among the artists of his compositions include ensembles such as the
Radio Symphony Orchestra of the SWR, the Hessian Radio Symphony Orchestra, the Arditti String Quartet, the Ensemble
Recherche, Klangforum Wien and Musikfabrik NRW.
Compositions (selection)
"...hu ha..." UA Oldenburg State Theatre 1988 • "Im
Anfänglichen läuft keine Spur – wer könnte da suchen" UA Berlin New
National Gallery 1989 • "Der gebrochene Spiegel" UA Witten Days for
New Chamber Music 1992 • "FM o99.5" UA Donaueschingen Music Days 1993
• "ƒlöte sounds & live-electronics" UA Berlin 1996
• "Blanco"
UA Stuttgart Eclat 1999 • "Ein Quadratmeter Schwärze" UA Witten Days
for New Chamber Music 1999 • "in nomine" UA Witten Days for New
Chamber Music 1999 • "Streunende Zahlen" UA Hannover EXPO 2000 •
"El mundo haz de tus imágenes" UA Berlin Music Biennale 2001 •
"personal spaces" Darmstadt Intern. Summer Courses 2004 •
"Grain" UA Stuttgart Radio Symphony Orchestra of the SWR 2005
"city drives" UA Basel VIPER 2006 • "Augenblicke, in denen die
Zeit sich spiegelt" UA Witten Days for New Chamber Music 2008 •
"Schichtwechsel – temps et mouvement" UA Donaueschingen Music Days
2008 • "coupures de temps..." UA Cologne WDR Broadcasting Center 2009
• "craquelé" UA Frankfurt the Hessian Radio Symphony Orchestra 2010 •
"rods and strings" UA Darmstadt International Summer Course for New
Music 2014 • "rewrite 114" UA Wroclaw Nasz Festival 2017
Publications
Own writings: "franz martin olbrisch - Algorithmus und Event -
Komponieren als wissendes Suchen", Saarbrücken 2008, (ed. F. Hilberg) • "I got involved in something I
realize..." in: 20 JahreInventionen, Saarbrücken 2002 • "Akustisches
Wegeleitsystem für die Singuhr - Hörgalerie in Parochial", in:
Singuhr-Hörgalerie in Parochial, Saarbrücken 1998, (eds. S. Binas und C. Seiffarth) • "Notation in der
Neuen
Musik - Christoph Metzger und Ralph Hoyer im Gespräch mit Mario Bertoncini,
Franz Martin Olbrisch und Dieter Schnebel" in: Musik im Dialog II,
Saarbrücken 1999, (eds. Chr. Metzger und
R. Hoyer)
