<時間更改到05.06>2015.05.06【Viola Master Class】何榮

【Viola Master Class】

主講人：何榮教授

(中央音樂院中提琴教授)

日期:2015年5月6日(三)

時間:19:00~20:40

地點:音樂一館M218

 *N. Paganini La Campanella 

Viola:蔡享享 Piano:王文娟

*F.A.Hoffmeister viola concerto 

Mov. I  Allegro

Viola:賴昱如Piano:王文娟

*R.Clarke Viola Sonata mov.lll 

Viola:潘自琦Piano:陳筱雯

※北藝大中提琴組必到

※歡迎有興趣者前往聆聽

何榮─音樂教育家、中提琴演奏家，祖籍廣州番禺，生長在一個音樂世家，舅父馬思聰是中國第一代的音樂教育家、小提琴家、作曲家，中央音樂學院第一任院長；母親馬思芸是長笛演奏家。四歲起隨母親學習鋼琴，並先後師從鄭延益，司徒海城，馬思宏, Stanley Ritchie, Joseph Gingle, Walter Trampler, Jesse Levine, Leonard Mogill。
      1987年獲耶魯大學音樂碩士學位，副修電腦工程、美術設計和工商管理。後又進修樂隊指揮，並在歐柏林音樂學院學習巴羅克時期演奏藝術。旅美20余年間，曾榮獲美國青年藝術家小提琴比賽一等獎，魯伊斯蘭小提琴比賽一等獎，及特爾斯德小提琴和中提琴比賽雙項一等獎。並在許多國際著名音樂節和樂團中擔任中提琴首席。包括貝爾瓦立音樂節、澳瑞肯海岸音樂節和斯伯雷多藝術節以及美國俄亥俄州芭蕾舞團、新英格蘭室內樂團、查爾斯頓交響樂團、薩凡納交響樂團、日本亞洲愛樂樂團、上海廣播交響樂團等。多年任教于美國著名巴爾瓦夏季音樂學校。回國執教前，任美國查爾斯頓大學管弦系主任。
     1999年，作為特聘教授執教于中央音樂學院。之後，何榮教授組建了“中提琴教研室”，倡議並主持了多次中提琴全國比賽。2002年，在小提琴大師帕爾曼的邀請下，擔任了上海“帕爾曼夏令營大師班”的中方專家。翌年，率領中國首個中提琴重奏團訪問美國茱麗亞、柯帝士、伊斯曼、耶魯、新英格蘭、克利夫蘭、歐柏林等多所世界著名音樂學府，舉行音樂會和大師班教學，促進了兩國間的學術交流。
    在繁忙的教學工作之外，何榮教授還先後組建了中國少年室內樂團，北京中提琴合奏團和18+室內樂團，並擔任金帆交響樂團及北京大學樂團指揮。曾率團赴國內各大城市，以及西班牙、法國、韓國、義大利、奧地利、德國，美國等多個國家進行訪問演出與交流。2005年8月正式成立中國中提琴學會，並推薦當選為第一任會長。
    回國短短幾年內，他編寫了中提琴教學手冊，錄製了CD、DVD教學錄影，校注了80本共150個作品的中提琴教材，其中部分已在國內出版發行。

2015.05.04【管絃樂作品之擊樂專題】 Michael Vladar

【管絃樂作品之擊樂專題】

主講人： Michael Vladar彌赫爾‧弗拉達

          (維也納交響樂團定音鼓首席)

日期:2015年5月4日(一)

時間:18:00~19:40

地點:音樂二館M2601

※北藝大擊樂組必到

※歡迎有興趣者前往聆聽

彌赫爾．弗拉達(Michael Vladar )教授

　　出生於維也納，於維也納音樂大學求學期間受Horst Berger教授指導，並向Richard Hochrainer教授及Gerald Fromme教授學習。

1984年受聘於薩爾茲堡莫札特管絃樂團，擔任打擊樂首席。

1984－1992年擔任薩爾茲堡學院合奏團定音鼓手，由著名小提琴家山多．威格(Sándor Végh, 1912-1997)指揮帶領。1986年起，於奧地利指揮加尼古勞斯．哈農庫特(Nikolaus Harnoncourt, 1929- )所創辦的維也納古樂合奏團擔任團員。並於1990年擔任維也納交響樂團定音鼓首席至今。


此外，亦參與其它室內樂團，例如維也納名家室內樂團以及維也納室內樂團。並且於2003年起加入擔任豐田汽車(Toyota)音樂大師。

2015.05.04【A survey of the great operas from the 17th to the 21st centuries 】Howard Dyck

【A survey of the great operas from the 17th  to the 21st centuries 】

主講人：Howard Dyck

                

(加拿大合唱指揮家)

 日期:2015年5月4日(一)

時間:13:30~15:10

地點:音樂一館M101

※北藝大音樂學組&聲樂組&指揮組必到

※歡迎有興趣者前往聆聽

 Howard Dyck. Conductor, broadcaster, b Winkler, Man, 17 Nov 1942; ARCT (Royal Conservatory of Music) 1963, AMM (Western Board of Music) 1963, BA (Goshen College, Indiana) 1964, hon LLD (Waterloo) 1996, hon LLD (Wilfrid Laurier) 1996. Howard Dyck sang in a church choir as a child and studied piano and violin. He attended Winnipeg's Mennonite Brethren College of Arts 1961-3, working as a radio announcer in nearby Altona while at university, then taught school for three years in BC and Manitoba. After that, with support from the German Academic Exchange 1967-9 and the Canada Council for the Arts (Arts Study Grant, 1972, 1981), he undertook advanced studies in conducting with Martin Stephani at the Hochschule für Musik (Detmold, Germany) and with Helmuth Rilling at the Internationale Bachakademie (Stuttgart, Germany). In 1972 he began his professional conducting career, and in 1976 he began his professional radio career.

2015.05.04【 "An American Quilt"】Deborah Bradley-Kramer

【 "An American Quilt"】

  主講人：Deborah Bradley-Kramer

 (哥倫比亞大學 教授)

日期:2015年5月4日(一)

時間:13:30~15:10

地點:音樂一館M102

※北藝大作曲組必到

※歡迎有興趣者前往聆聽

DEBORAH BRADLEY-KRAMER

Deborah Bradley-Kramer Ph.D, a graduate of New York University and the European Mozart Academy, is Lecturer in Music at Columbia University and was Director of Music Performance at Columbia from 1999-2013. She is founder and pianist of The Moebius Ensemble. Moebius, a group dedicated to championing American music and works of emerging composers in America and beyond, has received Copland and Koussevitzky grants and three grants from the Rockefeller Foundation for a multi-year series of concerts and concerts-lectures in Eastern and Central Europe.

Nominated for a teaching award for excellence, Deborah has taught in Columbia’s Core Curriculum since 1999 and has introduced many new courses: Russian and Soviet Music and Musicians, Piano Repertoire, and Jewish Music to name a few. Dedicated to education and outreach, Ms. Bradley-Kramer co-founded a free community concert series called Overlook Concerts in Riverside Park which routinely draws over 300 audience members to its concerts and showcases musicians from Columbia, Juilliard, and the Manhattan School of Music. In May she will teach a mini-course on American Music at the Taipei National University of The Arts, and give concert-lectures on Jazz influences in Classical Music in Bangkok.

As a pianist, this season Ms, Bradley-Kramer will present a series of piano duo and solo concerts titled “Flights of Fugue,” which pair fugues of Bach with those of Shostakovich and Slonimsky. She will also present premieres of works written for her by Boris Tishchenko, and give concert-lectures on contemporary American and Russian piano music at the Jerusalem Rubin Academy of Music, Conservatory of Music in Prague, American University in Sofia, Bulgaria, Chopin University of Music in Warsaw, Hartt School of Music, New York University, University of Chicago, The Royal Irish Conservatory, and the College Music Society in Boston.

Recently, she formed SPEAKmusic, a collective of Columbia and Juilliard musicians and composers who are dedicated to introducing the world of classical music  - especially that of contemporary young composers - to young listeners. SPEAKmusic has already received numerous invitations to take part in concerts in the United States and abroad, and recently performed at the United Nations. They will inaugurate a new concert series at the 92Y in Fall 2015 featuring world premieres by Columbia’s composers and others.

Ms. Bradley-Kramer’s CD of Jonathan Kramer’s chamber music is forthcoming on Leonarda records in Fall 2015. She also assisted in editing and contributing to Jonathan Kramer’s last book Postmodern Music, Postmodern Listening, which will be published by Bloomsbury Press in August, 2015.

北藝大絃樂團2015春夏音樂會 TNUA String Ensemble Spring- Summer Concert 2015

北藝大絃樂團2015春夏音樂會

TNUA String Ensemble Spring- Summer Concert 2015

演出時間：2015年5月30日(六)14:30

演出地點：國立臺北藝術大學音樂廳

指揮/蘇正途、管風琴/林京美、北藝大絃樂團

北藝大絃樂團2015春夏音樂會，邀請到林京美教授同台演出，帶來義大利作曲家阿比諾尼為管風琴與絃樂團，曲風抒情略帶悲愁的《G小調慢板》，法國作曲家浦朗克以音樂來慰藉心靈，平實而細緻的《為管風琴、定音鼓及絃樂的G小調協奏曲》，挪威作曲家葛利格美麗寂靜又扣人心弦的《兩首哀傷旋律》，及俄國作曲家蕭斯塔可維奇表現強烈個人反動情緒與深沈哀思的《C小調室內交響曲》，多元精彩的節目，千萬不要錯過！

演出曲目：

葛利格：兩首哀傷旋律，作品34

Edvard Grieg: Two Elegiac Melodies, Op. 34

蕭斯塔可維奇：C小調室內交響曲，作品110a（改編自第八號絃樂四重奏）

Dmitri Shostakovich: Chamber Symphony in C Minor, Op. 110a; arranged from String Quartet No. 8, Op. 110

阿比諾尼：G小調慢板

Tomaso Albinoni: Adagio in G Minor for Organ and Strings

浦朗克：為管風琴、定音鼓及絃樂的G小調協奏曲

Francis Poulenc: Concerto for Organ, Timpani and Strings in G Minor

購票這邊請  http://goo.gl/Oap6H8

票價：每場次每人100元；學生與持有「藝大之友創意卡」者，憑證件在「藝大書店」購票，可享5折優惠！凡設籍於士林、北投、淡水、八里、五股者，憑證件在「藝大書店」購票，享有八折優惠。本系列所有節目，皆非「親子節目」，身高未達110公分之兒童，請勿入場。

交通資訊：詳細捷運專車行駛路線與時刻表，請上

http://general.tnua.edu.tw/upload/files/affair/traffic/bus.xls 查詢。

售票據點：

兩廳院售票網 http://www.artsticket.com.tw，客服電話 (02) 3393-9888。

藝大書店，客服電話 (02)-2893-8878。

7-ELEVEN  ibon  http://www.ibon.com.tw，0800-016-138。

全家便利商店  FamiPort  http://www.famiport.com.tw，0800-071-999。

萊爾富便利商店  Life-ET  http://www.hilife.com.tw，0800-022-118。

本系列音樂會特別感謝  財團法人宗倬章先生教育基金會(TSUNG Cho-Chang Education Foundation)贊助

更多活動資訊請見北藝大音樂學系部落格：http://tnua-music.blogspot.tw

Facebook粉絲頁：https://www.facebook.com/tnuamusic

2015.04.27【Baroque Cello Master Class】Rainer Zipperling

【Baroque Cello Master Class】

主講人：Rainer Zipperling

 (科隆音樂院古大提琴教授)

J.S. Bach Cello Suite No.3 Prelude

Cello:蔡恭益

J.S. Bach Cello Suite No.5  Allemande & Courante

Cello:戴予軒

J.S. Bach Cello Suite No.5 Sarabande, Govotte,

Cello:鄭涵勻

日期:2015年4月27日(一)

時間:13:30~15:10

地點:音樂一館M102

※北藝大絃樂組必到

※歡迎有興趣者前往聆聽

Rainer Zipperling

瑞納‧齊普林成長於一個有音樂及表演氣息的家庭，他於七歲時開始學習大提琴。之後，進入世界知名專研巴洛克音樂的荷蘭海牙皇家音樂院(the Royal Conservatory of The Hague)學習古大提琴。 1980年完成學業後，齊普林參與了許多古樂合奏團，像是 Orchestra of the 18th century、 La Petite Bande、the Ricercar Consort以及Camerata Koln。直到現在，齊普林仍然與這些古樂合奏團持續合作演出。而在身為古樂合奏團團員的同時，齊普林亦開始了獨奏家生涯、樂譜編輯者，以及為自身的唱片公司『FLORA』擔任錄音工程師，這開啟了與知名的比利時古大提琴家皮埃洛 Philippe Pierlot以及法國著名的巴洛克小提琴家菲南德 Francois Fernandez一同合作的基礎。齊普林也定期地以首席大提琴家與古大提琴家的身份與Sir John Eliot Gardiner及其所創立的樂團English Baroque Soloists一同演出。除此之外，齊普林也曾與Claudio Abbado以及Mozart Orchestra一同合作演出巴赫布蘭登堡協奏曲。

今日，身為德國法蘭克福與科隆音樂院教授的齊普林享有極高的聲譽，並曾在世界各地如:美國、葡萄牙、以色列、韓國、澳洲以及俄羅斯等地舉行大師班，也在2008年4月來臺受國立台北藝術大學及國立台南藝術大學之邀講授大師班。

齊普林老師在2011年曾經來台灣展開大師班，受到許多專業老師的歡迎，此次與利恰卡爾古樂團來臺演奏之際，再度受庫普蘭巴洛克合奏團之邀，希望藉此難得的機會，能帶給台灣對巴洛克音樂有興趣的學生及職業演奏者，無論是技巧上或音樂上的詮釋方面，更能進ㄧ步瞭解巴洛克音樂的奧妙。

2015.04.27【Vocal Master Class】Timothy Bentch

【Vocal Master Class】

主講人：Timothy Bentch

◎W.A.Mozart:An Chloé

  Vocal:陳昱嘉Yu-Chia,Chen

Piano:孫世綸Shih-Lun,Hsun

◎Gaetano Donizetti :"Una furtiva lagrima"-

from 《L'ELISIR D'AMORE》

Vocal:王皓光Hou-Kuong,Wong

Piano:陳以恩 Yi-En,Chen

◎Stefano Donaudy:

O del mio amato ben

Vocal:鄭又瑄You-Syuan,Jheng

Piano:林炘圻 Hsin-Chi,Lin

◎F.Schubert : Frühlingstraum From "winterreise " ,

 An den Mond D.193

Vocal:林義偉Yi-Wei,Lin

Piano:游適伃 Shih-Yu,Yu

日期:2015年4月27日(一)

時間:13:30~15:10

地點:音樂二館演奏廳

※北藝大聲樂組必到

※歡迎有興趣者前往聆聽

Timothy Bentch, tenor

Tenor Timothy Bentch was raised on a farm in Missouri.  His first singing experiences took place in the local Mennonite church and practicing scales on the tractor and in the silo but eventually led him to a master’s degree at the acclaimed Curtis Institute of Music.  For twelve years he lived in Hungary where critics referred to him as “a treasure in today’s Hungarian musical life” naming him the most significant “Hungarian” lyric tenor of this generation.  He has sung at all the leading venues in this country appearing before presidents and prime ministers with many television appearances and radio broadcasts.  At the Hungarian State Opera he premiered new productions as Don Ottavio in Don Giovanni, Belmonte in The Abduction, Nencio in L’Infeldelta delusa by Haydn and the Evangelist in a semi-staged version of Bach’s Saint Matthew Passion.  Other roles with the Hungarian State Opera include Ferrando in Cosi fan tutte, Tamino in The Magic Flute, Tito in La Clemenza di Tito,  and Alfredo in La Traviata.  His performed opera  repertoire of over  40 roles also includes such roles as Mozart’s Mitridate, Nemorino in L’Elisir d’amore, Edguardo in Lucia, Almaviva in The Barber of Seville, Ismaele in Nabucco, Fenton in Falstaff, Tom Rakewell in The Rake’s Progress, four roles by Benjamin Britten, and numerous baroque operas – Jupiter in Semele, Nero in The Coronation of Poppea, Monteverdi’s Ulyssis, and Orfeo – a performance that marked the opening of the new theater in the Hungarian National Palace of the Arts in 2005.  His performances have taken him to many other countries including the Netherlands, Italy, Spain, Russia, Bulgaria, France, Malta, Israel, Russia, the UK, and Germany. 

In symphonic repertoire, he has performed the entire standard repertoire from renaissance and baroque to the large works of Mahler and Verdi.  Highlights have included the Evangelists in the Bach Passions, the Dream of Geronius by Elgar, and Mahler’s 8^th Symphony which he recorded for Naxos.  This recording was lauded by critics winning the “Recording of the Month” by Sterophile Magazine.  Bentch’s performance was described as “bright, confident, and heroic, and his "Blicket auf!" is stunning.”  Another critic wrote, “Bentch's top B-flats and Bs are as heroic as his sweet singing is sweet. His "Blicket auf," a moment that can cause fear and trembling, is stirring in all the right ways.” A recent review in the BBC Music Magazine praised Timothy Bentch’s “heroic tenor” as one of the saving graces of a recent recording of Janacek’s Glagolitic Mass with the Warsaw Philharmonic.  He has sung with the philharmonic orchestras of Lille, Strasbourg, Avignon, Saint Petersburg, Sofia, Warsaw, the Israeli Chamber Orchestra, the Ars Nova Symphony in Chicago, and appears regularly with the Hungarian National Philharmonic.  His most recent performance with the HNP of the Britten War Requiem was critically acclaimed and broadcast live on national radio.  He has sung under the batons of Zoltán Kocsis, János Fürst, Ádám Fischer, Tamás Vásáry, János Kovács, John Nelson, Jean Claude Casadesus, Antoni Witt, György Vashegyi, and Valentin Radu. 

Timothy is the co-founder and co-artistic director of the Crescendo Summer Institute (www.crescendohungary.org) in Hungary, a classical music festival, which celebrated its 11^th season in 2014.  He is active as a voice teacher and his former students sing in many of the leading opera houses of Europe.  He also enjoys scriptwriting.  His recent script was a quarterfinalist in the Academy Nicolls Fellowship in Screenwriting Competition sponsored by the Academy Awards.